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Pedals
T-Rex Mudhoney II
$149.00
Dual Distortion Pedal with Boost, Twin Channels of vintage Distortion
T-Rex Moller 2
$134.00
Adjustable 0-20 db of clean boost. Combination Boost/Overdrive Pedal with Independent Gain and Level Controls and Mix Knob
T-Rex Mudhoney Danish Collection
$134.00
Classic Distortion. Handmade In Denmark - Overdrive / distortion pedal with Gain, Level, Tone, and Boost Controls
WHO…
Being among the pioneers of the modern effects pedal manufacturers, Denmark’s T-Rex Engineering was brought to the world in 1996. Guitarists and engineers, Lars Dahl and Sebastian Jensen, conceived ideas and technical solutions to upgrade existing guitar effects as well as develop new effects. Aside from effects pedals, Lars and Sebastian also develop high quality equipment such as power supplies, cables, and pedal boards for guitarists around the world.
After more than two decades, T-Rex has kept itself a small Danish company powered by the perfect mix of guitarists and engineers collaborating to create some of the best effects know to guitarists worldwide. From effect pedals and power supplies to pedal boards and bags, T-Rex caters to every guitarist’s needs.
When it comes to materials and components, T-Rex goes above and beyond to acquire the highest of quality in areas such as film foil capacitors, regulators, and iron-cores. It is no secret that T-Rex takes great pride in the quality of the products they create. Over the years, T-Rex has developed components like potentiometers and foot switches that are extremely durable and exclusive to T-Rex.
The T-Rex product portfolio includes many industry classics like the Replica, the Mudhoney, the Fuel Tank series, as well as our Tone Trunks.
The company supplies top artists such as Steve Lukather (Toto), Marc Tremonti (Alter Bridge), Martin Gore (Depeche Mode), Carl Verheyen (Supertramp), Patrick Matera (Katy Perry) and Luke Potashnik (Katie Melua). They also have a huge passion for developing relationships with smaller local bands and artists.
WHY…
To improve musicians’ sound possibilities – in a never ending process.
T-Rex is a small company constantly challenging itself and the industry in the quality of guitar and bass sounds and effects. Aiming high, driving the engineering process and hitting that perfect sound and solution makes our hearts beat.
Sourcing only the best materials and components - avoiding compromise in any form is key.
The T-Rex staff are open-minded and seek inspiration amongst the users of these products. They cherish the free spirited feedback and use it to fuel creativity.
Loud listening, experienced engineering and good sound trigger the nerve in all T-Rex operations.
HOW… T-REX COMPONENTS – BEST OF THE BEST - OUR VIEW ON THE TECHNOLOGY USED IN T-REX PRODUCTS
CAPACITORS
Through development over the years, we notice a major difference between ceramics and film foil capacitors. T-Rex has chosen to use European manufactured film foil electrolytic capacitors in the signal path - striving to achieve the best possible sound. Especially in distortion pedals the folio capacitors has a much richer characteristic and give more bottom to the sound effect.
DURABLE POTENTIOMETERS
Users of these products require that the settings on the effects remain stable. During a gig, the settings should not change by an accidental touch of the pedal. Therefore, T-Rex goes beyond even military standards in durability of our potentiometers. Over the year’s T-Rex has invented potentiometers that turn easy, but not get lose. The military standard is 40.000 circle-turns before wearing out. The T-Rex standard goes up to 100.000 circle-turns before showing signs of audio noise.
THE FOOT SWITCH - WITH THE RIGHT CLICK
Most foot switches on stomp boxes look alike. Once you click them, you experience the difference. Compared to a big guitarist boot kicking in, a foot switch is a tiny device. It must withstand lots of pressure from lots of kicks. Still, it must provide the right “click-feeling” every time. The T-Rex foot switch was developed in collaboration with the parts manufactures - for T-Rex only. It is a durable momentary switch - with the right click.
JACK CONNECTORS – A STABLE WELCOMING
Connecting your jack to a T-Rex pedal provides you with that good feeling of having a good tool in your hands. T-Rex only use high quality connectors with metal nuts that control the travel of your jack.
TOGGLE SWITCHES
All T-Rex toggle switches are made of metal – for endless use.
SMD TECHNOLOGY – SURFACE MOUNT DEVICE
Taking advantage of a mix of vintage technology and SMD, T-Rex creates their own, high standard in the circuits. Experience for almost two decades lead to this technical expertise that opens more and more possibilities.
T-REX FUEL TANKS - HIGH PERFORMANCE POWER SUPPLY FOR PEDALS
The criteria for T-Rex power supply units are numerous. The most important ones are that the products must be small in size, they must be consistent in supply, and hum must be reduced to an absolute minimum. These criteria are the toughest to score high on in tests and every-day-use. T-Rex works to challenge the industry standards and implement ongoing quality improvement in order to offer the best products for musicians around the world – in locations that have different main voltage power standards. T-Rex engineers go far to source suitable materials and components. For the Fuel Tanks, they care extra for stable regulators and HQ cores. In order to keep the units small one needs small sized iron cores. For a good performance the iron needs to be of a very high quality and the cobber must be of a high concentration and strictly winded for stable power supply.
BYPASSING AN EFFECTS PEDAL
This issue is subject to various opinions and believes. Here is the view articulated by T-Rex: “We want to offer the users of T-Rex effects pedals the best – not necessary the easiest – handling of their guitar signal through their gear, which our products are part of.”
FET BYPASS – ACTIVE BYPASS
In the majority of T-Rex pedals, they use FET bypass switching (field effect transistors) for low switching noise and signal buffering. The T-Rex FET bypass is a transistor excellent for audio use. Especially with wah-wah pedals, distortions, overdrives and compressors should have the FET bypassing possibility in order to not lose tone and to avoid pop noises turning ON/OFF. This is because the DC offset can vary from pedal to pedal. Buffering the signal means, that the transistor and the surrounding components are converting the high impedance signal from the instrument into a low impedance output signal. Low impedance signals are not affected by long cable runs and preserve the signal going to the amplifier. Without a buffer, the cable going to the amp and the amp´s input circuit acts like a filter, and there is a loss of signal strength and high frequency content. With true hardwire bypass only, too long cables from the guitar to the amplifier will cause a severe loss of tone.
TRUE HARDWIRE BYPASS – PASSIVE BYPASS
T-Rex uses true hardwire bypass in some pedals. Only in pedals after overdrives, distortions and compressions. It can be implemented in time-based effects because in these effects the pop from the switch will not be amplified, like in distortion pedals. You will not hear the pop-noise.
TRUE HARDWIRE BYPASS FROM A FET-SWITCHING PEDAL
If you do want true bypass, we recommend using switching systems with gold plated relays.
ANALOG OR DIGITAL TECHNOLOGY IN TIME-BASED EFFECTS LIKE DELAY, REVERB ETC.
There has always been different opinions on what is best. Analog delay or digital delay? This is our view:
ANALOG
Most pedal manufactures are using an analog chip called a bugged brigade delay line Integrated Circuit. It is thousands of transistors connected serially. Every transistor gives a little delay. The real delay-effect will be achieved by having enough transistors. Very simple and easy to use. The downside to this is that the high number of transistors create a lot of high-frequency noise that has to be dealt with. This involves a lot of filtering and cutting of the high end, in order to obtain an acceptable noise floor. The good thing is that the dry mix is always analog, so you will not feel a big loss of tone even with the filtering of the wet signal. The result is good only if the filtering has been done correctly. In this world, we call it vintage sound.
DIGITAL
The alternative is digital. The most common way is to use a Digital Signal Processor. With a DSP, it is very easy to make a good and clean sounding delay. The quality of the signal depends on, how good the CODEC is. The CODEC is the Integrated Circuit that converts the analog signal into a binary code and back again after processing. The digital delay has a high signal-quality that is easy to work with after processing. No filtering is needed. It is much easier to process a good signal than trying to fix a noisy analog signal. The delay signal after processing can sound very sterile though. Especially if you do it all digitally such as dry mix, repeats and bypass.
DELAY T-REX STYLE
There is no doubt that T-Rex prefers to do as much analogically as possible because it sounds better. However, some effects are better achieved digitally. T-Rex combines the best from the analog and the digital technologies to get the right feeling in the sound, avoiding disturbing signal delays. Their effect processes the wet signal digitally. All other signals are mastered the analog way. T-Rex takes the perfect sounding delay signal and split it up with an analog compressor (expander circuit). First, the signal it compressed and squeezed, then it is expanded back to its normal volume. This creates the same effect as on tape echo - just without the disturbing noise. The session repeats by sending the signal back to the input again - analogically. This makes for a very natural delay sound, as the repeats are losing a bit of their frequency spectrum and dynamics, as they ring out, just as a real-life echo would. The result is very much like an analog tape delay.
MIX
Important is that the mix is done analogically. The dry signal is always parallel to the wet signal.
T-REX WARRANTY CONDITIONS
T-Rex offers a 2-year warranty on all our products. In the unlikely event of a malfunction, please contact our technical support at service@t-rex-effects.com before sending us the product for repair. When the product has been sent to us at sender’s cost, we will repair or replace your product and send it back to you - free of charge and usually within 3 weeks. The product needs to be accompanied by a copy of your sales receipt, serial number, return address, phone number, e-mail address and a brief explanation of the problem. Please note that we cannot replace a product until we have received it here in Denmark. Please note that the T-Rex repair department does not perform modifications or upgrades.
WARRANTY IS LOST IF:
The product is more than 2 years from the purchase date
The product has been modified in any way
Anyone besides authorized T-Rex service centers have repaired or tried to repair the product
You do not have a receipt of purchase
You do not have the serial number of the product
You have given the pedal wrong power and the pedal has been burned.
WARRANTY IS NOT LOST IF:
You do not lose the warranty if you have opened the product to have a look at the inside.
We can see if a product has been opened, which is ok. But you are not allowed to modify
or repair the pedal if you want it to be covered by warranty.
Being among the pioneers of the modern effects pedal manufacturers, Denmark’s T-Rex Engineering was brought to the world in 1996. Guitarists and engineers, Lars Dahl and Sebastian Jensen, conceived ideas and technical solutions to upgrade existing guitar effects as well as develop new effects. Aside from effects pedals, Lars and Sebastian also develop high quality equipment such as power supplies, cables, and pedal boards for guitarists around the world.
After more than two decades, T-Rex has kept itself a small Danish company powered by the perfect mix of guitarists and engineers collaborating to create some of the best effects know to guitarists worldwide. From effect pedals and power supplies to pedal boards and bags, T-Rex caters to every guitarist’s needs.
When it comes to materials and components, T-Rex goes above and beyond to acquire the highest of quality in areas such as film foil capacitors, regulators, and iron-cores. It is no secret that T-Rex takes great pride in the quality of the products they create. Over the years, T-Rex has developed components like potentiometers and foot switches that are extremely durable and exclusive to T-Rex.
The T-Rex product portfolio includes many industry classics like the Replica, the Mudhoney, the Fuel Tank series, as well as our Tone Trunks.
The company supplies top artists such as Steve Lukather (Toto), Marc Tremonti (Alter Bridge), Martin Gore (Depeche Mode), Carl Verheyen (Supertramp), Patrick Matera (Katy Perry) and Luke Potashnik (Katie Melua). They also have a huge passion for developing relationships with smaller local bands and artists.
WHY…
To improve musicians’ sound possibilities – in a never ending process.
T-Rex is a small company constantly challenging itself and the industry in the quality of guitar and bass sounds and effects. Aiming high, driving the engineering process and hitting that perfect sound and solution makes our hearts beat.
Sourcing only the best materials and components - avoiding compromise in any form is key.
The T-Rex staff are open-minded and seek inspiration amongst the users of these products. They cherish the free spirited feedback and use it to fuel creativity.
Loud listening, experienced engineering and good sound trigger the nerve in all T-Rex operations.
HOW… T-REX COMPONENTS – BEST OF THE BEST - OUR VIEW ON THE TECHNOLOGY USED IN T-REX PRODUCTS
CAPACITORS
Through development over the years, we notice a major difference between ceramics and film foil capacitors. T-Rex has chosen to use European manufactured film foil electrolytic capacitors in the signal path - striving to achieve the best possible sound. Especially in distortion pedals the folio capacitors has a much richer characteristic and give more bottom to the sound effect.
DURABLE POTENTIOMETERS
Users of these products require that the settings on the effects remain stable. During a gig, the settings should not change by an accidental touch of the pedal. Therefore, T-Rex goes beyond even military standards in durability of our potentiometers. Over the year’s T-Rex has invented potentiometers that turn easy, but not get lose. The military standard is 40.000 circle-turns before wearing out. The T-Rex standard goes up to 100.000 circle-turns before showing signs of audio noise.
THE FOOT SWITCH - WITH THE RIGHT CLICK
Most foot switches on stomp boxes look alike. Once you click them, you experience the difference. Compared to a big guitarist boot kicking in, a foot switch is a tiny device. It must withstand lots of pressure from lots of kicks. Still, it must provide the right “click-feeling” every time. The T-Rex foot switch was developed in collaboration with the parts manufactures - for T-Rex only. It is a durable momentary switch - with the right click.
JACK CONNECTORS – A STABLE WELCOMING
Connecting your jack to a T-Rex pedal provides you with that good feeling of having a good tool in your hands. T-Rex only use high quality connectors with metal nuts that control the travel of your jack.
TOGGLE SWITCHES
All T-Rex toggle switches are made of metal – for endless use.
SMD TECHNOLOGY – SURFACE MOUNT DEVICE
Taking advantage of a mix of vintage technology and SMD, T-Rex creates their own, high standard in the circuits. Experience for almost two decades lead to this technical expertise that opens more and more possibilities.
T-REX FUEL TANKS - HIGH PERFORMANCE POWER SUPPLY FOR PEDALS
The criteria for T-Rex power supply units are numerous. The most important ones are that the products must be small in size, they must be consistent in supply, and hum must be reduced to an absolute minimum. These criteria are the toughest to score high on in tests and every-day-use. T-Rex works to challenge the industry standards and implement ongoing quality improvement in order to offer the best products for musicians around the world – in locations that have different main voltage power standards. T-Rex engineers go far to source suitable materials and components. For the Fuel Tanks, they care extra for stable regulators and HQ cores. In order to keep the units small one needs small sized iron cores. For a good performance the iron needs to be of a very high quality and the cobber must be of a high concentration and strictly winded for stable power supply.
BYPASSING AN EFFECTS PEDAL
This issue is subject to various opinions and believes. Here is the view articulated by T-Rex: “We want to offer the users of T-Rex effects pedals the best – not necessary the easiest – handling of their guitar signal through their gear, which our products are part of.”
FET BYPASS – ACTIVE BYPASS
In the majority of T-Rex pedals, they use FET bypass switching (field effect transistors) for low switching noise and signal buffering. The T-Rex FET bypass is a transistor excellent for audio use. Especially with wah-wah pedals, distortions, overdrives and compressors should have the FET bypassing possibility in order to not lose tone and to avoid pop noises turning ON/OFF. This is because the DC offset can vary from pedal to pedal. Buffering the signal means, that the transistor and the surrounding components are converting the high impedance signal from the instrument into a low impedance output signal. Low impedance signals are not affected by long cable runs and preserve the signal going to the amplifier. Without a buffer, the cable going to the amp and the amp´s input circuit acts like a filter, and there is a loss of signal strength and high frequency content. With true hardwire bypass only, too long cables from the guitar to the amplifier will cause a severe loss of tone.
TRUE HARDWIRE BYPASS – PASSIVE BYPASS
T-Rex uses true hardwire bypass in some pedals. Only in pedals after overdrives, distortions and compressions. It can be implemented in time-based effects because in these effects the pop from the switch will not be amplified, like in distortion pedals. You will not hear the pop-noise.
TRUE HARDWIRE BYPASS FROM A FET-SWITCHING PEDAL
If you do want true bypass, we recommend using switching systems with gold plated relays.
ANALOG OR DIGITAL TECHNOLOGY IN TIME-BASED EFFECTS LIKE DELAY, REVERB ETC.
There has always been different opinions on what is best. Analog delay or digital delay? This is our view:
ANALOG
Most pedal manufactures are using an analog chip called a bugged brigade delay line Integrated Circuit. It is thousands of transistors connected serially. Every transistor gives a little delay. The real delay-effect will be achieved by having enough transistors. Very simple and easy to use. The downside to this is that the high number of transistors create a lot of high-frequency noise that has to be dealt with. This involves a lot of filtering and cutting of the high end, in order to obtain an acceptable noise floor. The good thing is that the dry mix is always analog, so you will not feel a big loss of tone even with the filtering of the wet signal. The result is good only if the filtering has been done correctly. In this world, we call it vintage sound.
DIGITAL
The alternative is digital. The most common way is to use a Digital Signal Processor. With a DSP, it is very easy to make a good and clean sounding delay. The quality of the signal depends on, how good the CODEC is. The CODEC is the Integrated Circuit that converts the analog signal into a binary code and back again after processing. The digital delay has a high signal-quality that is easy to work with after processing. No filtering is needed. It is much easier to process a good signal than trying to fix a noisy analog signal. The delay signal after processing can sound very sterile though. Especially if you do it all digitally such as dry mix, repeats and bypass.
DELAY T-REX STYLE
There is no doubt that T-Rex prefers to do as much analogically as possible because it sounds better. However, some effects are better achieved digitally. T-Rex combines the best from the analog and the digital technologies to get the right feeling in the sound, avoiding disturbing signal delays. Their effect processes the wet signal digitally. All other signals are mastered the analog way. T-Rex takes the perfect sounding delay signal and split it up with an analog compressor (expander circuit). First, the signal it compressed and squeezed, then it is expanded back to its normal volume. This creates the same effect as on tape echo - just without the disturbing noise. The session repeats by sending the signal back to the input again - analogically. This makes for a very natural delay sound, as the repeats are losing a bit of their frequency spectrum and dynamics, as they ring out, just as a real-life echo would. The result is very much like an analog tape delay.
MIX
Important is that the mix is done analogically. The dry signal is always parallel to the wet signal.
T-REX WARRANTY CONDITIONS
T-Rex offers a 2-year warranty on all our products. In the unlikely event of a malfunction, please contact our technical support at service@t-rex-effects.com before sending us the product for repair. When the product has been sent to us at sender’s cost, we will repair or replace your product and send it back to you - free of charge and usually within 3 weeks. The product needs to be accompanied by a copy of your sales receipt, serial number, return address, phone number, e-mail address and a brief explanation of the problem. Please note that we cannot replace a product until we have received it here in Denmark. Please note that the T-Rex repair department does not perform modifications or upgrades.
WARRANTY IS LOST IF:
The product is more than 2 years from the purchase date
The product has been modified in any way
Anyone besides authorized T-Rex service centers have repaired or tried to repair the product
You do not have a receipt of purchase
You do not have the serial number of the product
You have given the pedal wrong power and the pedal has been burned.
WARRANTY IS NOT LOST IF:
You do not lose the warranty if you have opened the product to have a look at the inside.
We can see if a product has been opened, which is ok. But you are not allowed to modify
or repair the pedal if you want it to be covered by warranty.
T-Rex Diva Drive Overdrive Pedal
$129.00
Overdrive Pedal for Electric Guitar with Gain, Level, Mix, and Tone Controls and 3-way Bass Boost
T-Rex Replay Box Stereo Delay Pedal
$189.00
Up to 3 seconds of Delay and Tap Tempo. Stereo Delay Effects Pedal for Electric Guitar with Volume, Mix, Repeat, and Tempo Controls, and Tap Tempo Switch
T-Rex Creamer
$144.00
Reverb Pedal with 3 Types - Spring, Room and Hall Modes and Tone Control
T-Rex Quint Machine Octave Pedal
$174.00
Octave Up/Octave Down and a Fifth Up
T-Rex Fat Shuga Boost/Reverb Pedal
$149.00
Room & Hall programs with a Smooth Drive/Boost. Combination Boost/Reverb Pedal with 2 Room Sizes and Independent Level Controls
The Replicator D’Luxe
$579.00
T-Rex Engineering´s take on the ultimate tape echo unit, complete with a motor, magnetic heads and a tape cartridge. The goal was to make a tape echo unit that could nail the sound quality of the old echo units and surpass them in features
T-Rex Replicator
44 HP Eurorack Analog Tape Delay Module. Delay Time 150ms to 1150 ms
Soulmate Acoustic
All in one Acoustic Pedal. Compressor, Modulation 3 Band Parametric EQ, Delay with Tap Tempo, Reverb Boost and 5Min Looper
T-Rex FuelTank Classic
Pedalboard Power Supply with 10 Outputs *8 x 9 V DC Non-Isolated, *1x12 V DC, * 1x12 V AC Isolated. Switchable 115 V 0r 230 V
$490.00
$619.99
$179.00
T-Rex Fuel Tank Junior
5 x 9v Isolated 600 ma Total Switchable 115 Volt or 230 Volt
T-Rex Fuel Tank Chameleon Power Supply
Pedalboard Power Supply with 5 Isolated 300mA Outputs *4 isolated 9V DC. * 1 Isolated 9V/18V. *1 Isolated 12V AC. Switchable 115 Volt or 230 Volt
Tape Cartridge for Replicator
Replacement Tape Cartridge for T-Rex Replicator Delay Pedal.
Technical specifications not available
Technical specifications not available
$119.90
$170.00
$28.99
